Photography Books by Michael Freeman

I bought my first book by Michael Freeman back in the early 80s. He’s probably the best out there—certainly the most impressive I’ve come across in almost 50 years as an amateur photographer.

If you’re starting out in photography and trying to get your head around what has become quite a complex subject in the digital age, I can recommend his publications. Many can be purchased in electronic form (see image below for 3 examples).

At the time of writing his latest book is Composition.

“A leading photographer for the Smithsonian Magazine for three decades (more than 40 assignment stories), Freeman has also published 147 books on subjects as varied as Angkor, Sudan, ethnic minorities in Southeast Asia, the Shakers, and contemporary Japanese design and architecture. His 67 books on the practice of photography are standard works, and have sold over 3 million copies in more than 20 languages (4 million for all his books)” (From michaelfreemanphoto.com).

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Image

In the Peat Shed

Outside the peat shed.

It was way too chilly to be standing beside this tractor in the penetrating Donegal drizzle while fiddling about with long exposures on my Canon EOS 50, something I’d be less inclined to do with a modern digital camera, weather sealed or not. Such had been the ups and downs of life back then (and further downs just a few years later), it was fourteen years before I got around to scanning and processing this Fujifilm Reala negative. It was shot in early November 2004.

I used a Plustek 8100 scanner and Silverfast software to create the 18MP TIFF which I then brought into ON1 for black and white processing. Although it’s tempting to process for ideal results during the scanning stage, it’s best to concentrate on getting as wide a range of tones as possible and to avoid distinct colour casts that will be hard to correct later. There are a daunting range of tonal and colour controls in Silverfast and it’s all too easy to get bogged down at the scanning stage rather than making proper use of a fully-equipped software package such as ON1 Photo RAW, or whatever you prefer.

There was a painted ignition switch and enough power to turn this old lady over, but I didn’t risk it. I didn’t fancy chasing it down the lane. Someone had given it a ruthless paint job – especially the front wheels – perhaps in an attempt to make it some kind of garden ornament for visiting tourists. That was one reason why I converted it to black and white. Unlike the top shot, I won’t be framing this one.

Exaggerated colour for black and white processing.